Everything about Sigismondo Pandolfo Malatesta totally explained
Sigismondo Pandolfo Malatesta (
June 19,
1417 –
October 7,
1468), popularly known as
the Wolf of Rimini, was a famous member of the Italian
House of Malatesta and lord of
Rimini,
Fano, and
Cesena from
1432. He was widely considered by his contemporaries as one of the most daring military leaders in
Italy and commanded the
Venetian forces in the
1465 campaign against the
Ottoman Empire. He was also a
poet and patron of the arts.
Biography
Sigismondo Pandolfo was born in
Brescia, northern
Italy, the illegitimate son of
Pandolfo III Malatesta and Antonia Barignani.
Following the family's tradition, he debuted as man-at-arms at the age of 13 against his relative
Carlo II Malatesta, lord of
Pesaro and
Pope Martin V's ally, who aimed to annex Rimini, Cesena and Fano to his territories. After his victory Sigismondo obtained, together with his brothers Galeotto Roberto and Domenico, the title of Papal vicar for those cities. In 1431, albeit with inferior forces, he repelled another invasion by the Malatestas of Pesaro. When his elder brother soon abdicated, he became lord of Rimini, at the age of only 15.
In
1432 he accepted the command of a Papal corps, defeating the Spanish condottiero Sante Cirillo and thwarting
Antonio I Ordelaffi's attempt to capture
Forlì (1435-36). However, the following year Sigismondo occupied the Papal city of
Cervia and was excommunicated; he was soon pardoned and created commander of the Papal Army. Later he fought in
Romagna and the
Marche alongside
Francesco Sforza. In the meantime he married Ginevra d'
Este,
Niccolò III's illegitimate daughter. In 1440 she died, and rumours were that she'd been poisoned by Sigismondo. Two years later he married Polissena Sforza, daughter of Francesco. In this period he scored a noteworthy victory against
Niccolò Piccinino, managing to obtain some territories of Pesaro.
In his restless attitude he betrayed Sforza twice, but he also betrayed his momentary ally against him, Niccolò Piccinino. Enmity against Sforza turned into true hatred when his father-in-law bought the seignory of Pesaro from Carlo Malatesta. Therefore Sigismondo allied with Pope
Eugene IV and the
duke of Milan. Later, he was hired by King
Alfonso V of Naples, but soon after received the money for the
condotta passed at the service of
Florence against the former. In 1445 he forced the Neapolitans to leave the siege of
Piombino, in
Tuscany, and had his first son by Isotta degli Atti (whom he married to in 1456). In 1449 his wife Polissena died in mysterious circumstances. Francesco Sforza claimed Sigismondo had her drowned by one of his servants, but this has remained unconfirmed.
After 1449 Malatesta was variously under Venice, Florence,
Siena, Naples and Sforza himself. The
Peace of Lodi (1454), from which he was excluded, pushed the major Italian powers against him. His territories were repeatedly invaded by Aragonese, Venetian and Papal troops. On
december 25,
1460, a famous process
in absentia was held in Rome against Sigismondo. Pope
Pius II, who considered him guilty of treachery towards
Siena arising from his long-running feud with
Federico da Montefeltro, duke of
Urbino, excommunicated him, declaring him a heretic and attributing to Sigismondo a series of sins (
incest,
sodomy against his son
Roberto and others) which smeared his reputation for centuries.
A true crusade was then launched against Malatesta. The first contingent of Papal troops was defeated in the July 1461, but he was severely crushed on
August 12,
1462 by Federico da Urbino near Senigallia. The war ended in 1463 with the loss of all Sigismondo's territories apart from Rimini and a territory of five miles around it: both however were to return to the Papal States after his death. He then sought more fortune as general for Venice in its war against the
Ottomans, as a field commander in
Peloponnesus (1464-1466).
In an attempt to reverse this situation, Sigismondo appears to have intended to murder Pius' successor, Pope
Paul II (who had asked him to exchange Rimini for
Spoleto and
Camerino), in
1468, but lost his nerve and returned to Rimini. He died in his residence of
Castel Sismondo a few months later.
His son Roberto, also a skilled condottiero, managed briefly to maintain control over Rimini.
Patron of art and reputation
Sigismondo's valour and skill as general were widely recognized by his contemporaries. According to the
Catholic Encyclopedia(External Link
):
He wasn't a religious man, and his
Tempio Malatestiano, also known as San Francesco, built in Rimini, by
Leon Battista Alberti and decorated by artists including
Piero della Francesca and
Agostino di Duccio, was essentially a lay monument to
Isotta degli Atti, his lover and third wife. It was a landmark
Renaissance building, being the first church to use the Roman
triumphal arch as part of its structure. Sigismondo also built a notable series of fortifications in his Romagna possessions, including the
Rocche ("Castles") of Rimini and Fano.
Malatesta's reputation (albeit minor) was largely based on
Pius II's perception of him, although numerous contemporary chronicles described him as a tyrant and a womanizer: he delved in "rape, adultery, and incest". Italian Renaissance historian
Francesco Guicciardini defined him "enemy of every peace and well-living". His deeds and political manoeuvers were characterized by all the typical play of violence, intrigues and subtleties typical of Renaissance Italy; however, Sigismondo was well aware of his sins, and tried to justify them in a series of love sonnets dedicated to Isotta.
In 1906,
Edward Hutton published the historical novel
Sigismondo Malatesta, mostly sympathetic to its hero. It was slightly revised and reprinted under the title
The Mastiff of Rimini in 1926.
Hutton's novel and
Charles Emile Yriarte's
Un condottiere au XV Siècle (1882) were among the main sources of American poet
Ezra Pound's Malatesta Cantos (
Cantos 8-11), first published in 1923. These are an admiring howbeit fragmentary account of Malatesta's career as warrior, lover and patron.
Largely infuenced by Pound, as well as by
C. G. Jung, the critic
Adrian Stokes devoted a study,
The Stones of Rimini (1934), to the art created at Sigismondo's court.
See also
Further Information
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